#Her spike jonze citation movie#
#Her spike jonze citation full#

Her is his first full-fledged effort as a writer-director, and in keeping with his other movies, it has an off-kilter, fable-like quality to it. Jonze worked off Charlie Kaufman’s inventively twisted scripts on his first two films, Being John Malkovich (1999) and Adaptation (2002), and collaborated on the screenplay for his third, an re-imagining of Maurice Sendak’s Where the Wild Things Are (2009), with Dave Eggers.

#Her spike jonze citation movie#

It’s actually a movie much more concerned with notions of space, intimacy, and love, filled with voices coming out of devices that feel real and close, and, conversely, people who are physically present but feel worlds away, the question of what really constitutes the real thing always looming like a storm cloud over every human interaction.

It’s only the arrival of Samantha-who introduces herself, like most new software upgrades and installations, by asking him to tell her his preferences-that seems to awaken him, and Jonze sketches the quick evolution of their relationship almost like it’s a long-distance phone romance-cum-metaphysical-exercise-except that Theodore lives in the material world (of George Harrison, not Madonna), and Samantha, who ostensibly just exists as code, is both everywhere and nowhere.ĭespite the overarching conceit, though, Her is a film about technology only in the most literal sense. In loose flashbacks, we see scenes from his life with his wife, Catherine (Rooney Mara), who has since filed for divorce, and watch as he-unsuccessfully-tries to move forward without the answers he so desperately seeks as to why their marriage fell apart.

Theodore makes his living working for a company called, penning heartfelt letters for other people that are digitally produced to approximate the warm, personal effect of receiving a real handwritten letter from someone who actually cares about you.

#Her spike jonze citation full#

Set in a stylized version of the not-too-distant future, where a very mainstream high-waisted pant and mustache revival appears in full bloom, Spike Jonze’s new film, Her, revolves around the deepening relationship between a recently separated writer named Theodore (played by Joaquin Phoenix) and his new artificially intelligent operating system Samantha (voiced by Scarlett Johansson). I DEFINITELY CHECK MY PHONE FOR TEXTS A LOT-LIKE, ‘DID ANYONE TEXT ME? IS ANYONE THINKING ABOUT ME? DOES ANYONE LOVE ME?’ Spike Jonze